Jahrhunderts aus dem Metropolitan Museum of Art, New York, 2007, J.G. The painting had to depict the harsh reality of country life, so he gave the peasants coarse faces and bony, working hands. The little kitchen still flickers. 30, Amsterdam, Stedelijk Museum Amsterdam, Eeuwfeest Vincent van Gogh, 23 July 1953 - 20 September 1953, no. 6, Baltimore Museum of Art, Vincent van Gogh. The Potato Eaters is the deliberate attempt of an eager young artist to prove himself to the world after five years of study. Udstilling af malerier og tegninger, 22 June 1946 - 14 July 1946, no. Malerier, tegninger, akvareller, 3 December 1937 - 24 December 1937, no. van Gogh, 11 February 1956 - 24 March 1956, no. 9, Museum of Fine Arts Boston, Vincent van Gogh, 19 February 1936 - 15 March 1936, no. It is the culmination of months of study by Van Gogh, observing working class families and their traditions, and creating hundreds of sketches until he settled on the scene depicted in The Potato Eaters. für die Max-Liebermann-Gesellschaft Berlin von Martin Faass; Julia Klarmann, Margreet Nouwen, Laura Prins ... [et al. Utställning anordnad till förmån för svenska hollandshjälpen, 29 May 1946 - 16 June 1946, no. 4, Liverpool, Walker Art Gallery, Vincent van Gogh. van Gogh, 12 October 1948 - 10 January 1949, no. 26, Newcastle upon Tyne, Laing Art Gallery, Vincent van Gogh. In the course of his efforts to include the people of Nuenen in his art, van Gogh himself made only comments of a general nature: "I want the subject to follow from the character". Collection du Musée National Vincent van Gogh à Amsterdam, 22 October 1972 - 15 January 1973, no. 1) Upon completion of "The Potato Eaters," Van Gogh thought it was his best work to date; however, he considered his later masterpiece The Starry Night to be a failure. Amsterdam, E.J. 6, National Gallery of Art, Van Gogh's Van Goghs. Zehnte Ausstellung, 1 June 1914 - 5 July 1914, no. at the sides of the table is odd; the wall between the two figures at the right creates a strange partitioning of the intimate space. It shows five people who are dressed alike and gathered to have dinner. ], Van Gogh : coulours du nord, coulours du sud, 2014, p. 56-57, 60, Cornelia Homburg, Simon Kelly, Laura Prins ... [et al. 6, Albright Art Gallery, Vincent van Gogh. Prior to starting the painting, he makes over a hundred portrait studies of farmworkers, various … Writing to his sister Willemina two years later in Paris, Van Gogh still considered The Potato Eaters his most successful painting. 6, Baltimore Museum of Art, Vincent van Gogh. 7, Portland (Oregon), Portland Art Museum (Oregon), Vincent van Gogh. Paintings and drawings of the Vincent van Gogh Foundation Amsterdam, 23 October 1968 - 12 January 1969, no. Juli 1890. 2, City Art Gallery, Vincent van Gogh 1853-1890. ], Van Gogh in de Borinage : de geboorte van een kunstenaar, 2015, p. 26-27, Essays by Ann Dumas and Marina Ferretti Bocquillon, Van Gogh in Paris, 2013, p. 10, Sjraar van Heugten, Van Gogh in Provence : modernizing tradition, 2016, p. 25, 44-45, 61-62, 67, Ronald de Leeuw, Van Gogh Museum : schilderijen en pastels, 1993, p. 64-67, Belinda Thomson, Van Gogh paintings : the masterpieces, 2018, p. 26-27, Proceedings of the symposium conceived by Bice Curiger; Mark Alizart, Jean-Pierre Crique, Adrian Ghenie ... [et al. van Wisselingh & Co, Nederlandsche schilderkunst. About the actual painting, which he then decided to call The Potao Eaters, Vincent van Gogh was enthusiastic. light at this common table, the solitude of the individual is overcome and the harshness of nature, too - yet each figure retains a thought of his own and two of them seem to be on the brink of an unspoken loneliness. zonder nr. 74, Centraal Museum, Vincent van Gogh schilderijen en tekeningen, verzameling Ir. Gemälde, Aquarelle, Zeichnungen, 18 February 1967 - 2 April 1967, no. van Gogh, 17 December 1955 - 4 February 1956, no. He was very pleased with the result: yet his painting drew considerable criticism because its colours were so dark and the figures full of mistakes. ], The new potato eaters : Van Gogh in Nuenen 1883-1885, 2015, p. 8, 12, 28, 48, 50, 56-57, 64, 81,123, Richard R. Brettell and Stephen F. Eisenman, Nineteenth-century art in the Norton Simon Museum, volume 1, 2006, Richard Raskin, On the "Vincent" Signature and the Values Embodied in 'The Potato Eaters', p. 391-396, Jack van Hoek, Een onbekend object op De aardappeleters geïdentificeerd, p. 12-13, John E. Gedo ; introd. 7, Amsterdam, Van Gogh Museum, Van Gogh & Millet, 9 December 1988 - 26 February 1989, no. set off against the monochrome gloom of the background,- and he would dwell on the material of caps and kerchiefs, the folds and crinkles in the linen. by Helga K. Aurisch, Laura Minton, Dena M. Woodall, Vincent van Gogh : his life in art, 2019, p. 14, 15, 33, 70, 74, 76, 80, 161, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; avec la collaboration de Geeta Bruin ; Maite van Dijk ; Jennifer Field, Vincent van Gogh : les couleurs de la nuit, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 78, 84, 102, 104-108, 110, 135, Alan Turnbull, Vincent van Gogh : one week of paintings : April 9th - 15th 1888, 1978], p. 10, Molly Dorkin, John Swarbrooke, Vincent van Gogh : Paysanne devant une Chaumière, 2020, p. 6, 20, Evert van Uitert, Louis van Tilborgh, Sjraar van Heugten, Vincent van Gogh : schilderijen, 1990, p. 47-49, Ed. 9, Philadelphia (Pennsylvania), Philadelphia Museum of Art, Vincent van Gogh, 11 January 1936 - 10 February 1936, no. 25, Paris, Musée de l'Orangerie, Vincent van Gogh, 24 January 1947 - 15 March 1947, no. 5, Miami, Lowe Gallery of the University of Miami, Vincent van Gogh 1853-1890, 24 February 1955 - 20 March 1955, no. 38, Wolfsburg, Stadthalle Wolfsburg, Vincent van Gogh. "I like so much better to paint the eyes of people than to paint cathedrals", Van Gogh wrote shortly after. zonder nr. Bremmer, Beeldende Kunst, Klaus Türk, Bilder der Arbeit : eine ikonografische Anthologie, 2000, p. 118, Gerard Sonnemans, Jurgen Pigmans en Theo Cuijpers, Blikken op Brabant : de canon van Nederland in Noord-Brabants perspectief, 2012, p. 169, By David Stark, Charles de Groux's le Bénédicité : a source for Van Gogh's Les mangeurs de pommes de terre, p. 205-208, Kathleen Powers Erickson, The christian century : from preaching to painting : Van Gogh's religious zeal, p. 300-302. 2) Van Gogh created three surviving studies of "The Potato Eaters" prior to his final artwork. As soon as possible, one after the other. 6, City Art Gallery, Vincent van Gogh 1853-1890. zonder nr. van Gogh, 29 October 1955 - 10 December 1955, no. The Potato Eaters By Leonard E. Nathan. 120, Kunstmuseum Bern, Vincent van Gogh. A special loan exhibition, 21 October 1949 - 15 January 1950, no. A conversation with Dr. Beth Harris and Dr. Steven Zucker in front of Vincent van Gogh, The Potato Eaters, 1885, oil on canvas, 82 x 114 cm (Van Gogh Museum, Amsterdam, Vincent van Gogh Foundation). Paintings and drawings, 10 December 1958 - 18 January 1959, no. ; Nienke Bakker, Abigail Yoder, Millet and Modern Art : from Van Gogh to Dalí, 2019, p. 123, Jenny Reynaerts, Mirror of reality : 19th-century painting in the Netherlands, 2019, p. 301-302, Onder red. When he added a fifth person, the others had to move up because the woman on the right was now too far away to reach the potatoes. Janson, Art of the nineteenth century : painting and sculpture, cop. In the homely faces the hands of these peasants - in color and modeling they are like the potatoes that nourish them - there is a touching purity. The painting of The Potato Eaters marked a turning point in Van Gogh's artistic life, and is now considered as his first true masterpiece. It is the purity of familial souls in whom care for one another and the hard struggle with the earth and weather leave little place for self-striving. from H. van Crimpen ... [et al. Paintings-drawings / Tableaux-dessins, 29 December 1960 - 31 January 1961, no. First he would restrict himself to bust portraits. 1, Galerie Commeter, V. van Gogh, 1 September 1914 - 1 September 1914, Cologne, Kölner Kunstverein, V. van Gogh, 1 July 1914 - 1 August 1914, Berlin, Kunstsalon Paul Cassirer, Vincent van Gogh 30. Het industriële tijdperk 1750-1900. He had to paint a whole series of pictures in order to achieve any real closeness with these intractable people, and his approach resulted in a final triumph. In Letter of November, 1884 he told Theo of the workload he had set himself and requested more money, after all, the models he was now using had to be paid too. And in Van Gogh's clumsiness, which conveys also, as he intended, the clumsiness of his people, there is a source of movement. meeting their careworn gaze and simply records the villagers look full of mistrust; they remain in some unfathomable depths of their own, not communicating with their vis-a-vis, gazing straight past at some imaginary world. 2, Amsterdam, Van Gogh Museum, De aardappeleters van Vincent van Gogh, 11 June 1993 - 29 August 1993, no. 1, Art Institute of Chicago, Vincent van Gogh paintings and drawings. Utställning anordnad till förmån för svenska hollandshjälpen, 3 May 1946 - 26 May 1946, no. 1, Peter van Overbruggen, De 'Aardappeleters' geïnspireerd door een schilderij uit Eindhoven?, p. 59-62, Par Louis Anfray, 'Les mangeurs de pommes de terre' dans l'oeuvre de Vincent van Gogh : réponse à l'article de M.L. of the dark interior - blue, green, and brown - bring us back to nature outside. Hervé Fischer, Les couleurs de l'Occident : de la Préhistoire au XXIe siècle, 2019, p. 19-191, Beate Welkerling, Die Kartoffelesser Vincent van Goghs : konzeptionierung eines Bildes kulturhistorischen Bezüge und sein Stellenwert in Hinsicht auf das Gesamtwerk des Künstlers, 1991, Lin Arison, Neil Folberg, Discovering the connections : travels with Van Gogh and the Impressionists, 2007, p. 29, 31, John M. Haggarty, Edward King 1862-1951 : the Portsmouth painter who influenced Van Gogh, 2012, p. 2-6, by Hope Benedict Werness, Essays on Van Goghs symbolism, 1972, p. 76, Vasiliki Rouska, The example of Vincent van Gogh : denying forms, systems and academicism in art and religion, p. 236-238, Ella Hendriks, C. Richard Johnson jr., Luuk van der Loeff ... [et al. Utställning anordnad till förmån för svenska hollandshjälpen, 8 March 1946 - 28 April 1946, no. ], Van Gogh aan het werk, 2013, p. 86 -89, 236, 269, Nienke Bakker, Van Gogh aan het werk : hoogtepunten, 2013, p. 8-9, Debora Silverman, Van Gogh and Gauguin : the search for sacred art, 2000, p. 18, John House, Van Gogh and impressionism, 2012, p. 7-8, 61, Natascha Veldhorst, Van Gogh and music : a symphony in blue and yellow, 2018, p. 90-91, Richard Kendall, Sjraar van Heugten, Chris Stolwijk, Van Gogh and nature, 2015, p. 42, 55, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; with contributions by Geeta Bruin ; Maite van Dijk ; Jennifer Field, Van Gogh and the colours of the night, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 77-78, 81, 102, 104-110, 135, Griselda Pollock, Van Gogh and the poor slaves : images of rural labour as modern art, p. 406-432, Marije Vellekoop ; with contrib. Paintings and drawings, 6 October 1958 - 30 November 1958, no. The Potato Eaters was a synthesis of countless studies of peasants' heads, of people absorbed in work and handicrafts, which van Gogh painted that winter in the poor cottages in the village. This is a labor of love. ], Van Gogh in Brabant : schilderijen en tekeningen uit Etten en Nuenen, cop. ], The real van Gogh : the artist and his letters, 2010, p. 14, 23, 25-26, 33, 65, 78, 80, 82, 239, Matthias Krüger, Das relief der farbe : Pastose Malerei in der französischen Kunstkritik 1850-1890, 2007, p. 111-112, 177, 210, 212-214, 220-221, Ed. The dark setting and spiritual depth of this painting evoke one of Van Gogh's favorite artists, Rembrandt. 1, Musée des Beaux-Arts (Bordeaux), Vincent van Gogh. by Timothy J. Standring, Louis van Tilborgh ; with essays by Simon Kelly, Richard Kendall, Teio Meedendorp ... [et al.] The first version of The Potato Eaters is referred to by van Gogh as a “rough” sketch and a ‘study in clair-obscur’. 6, Detroit Institute of Arts, Vincent van Gogh. like a candle-lit room in a folktale. Kijk op stad en land door Van Gogh en zijn tijdgenoten 1870-1890, 13 December 1980 - 22 March 1981, no. Van Goghs mooiste brieven, 9 October 2020 - 10 January 2021, Amsterdam, Van Gogh Museum, Munch : Van Gogh, 24 September 2015 - 17 January 2016, Munch Museum, Van Gogh + Munch, 9 May 2015 - 6 September 2015, Amsterdam, Van Gogh Museum, Van Gogh aan het werk, 1 May 2013 - 13 January 2014, Amsterdam, Hermitage Amsterdam, Vincent. The painting was inspired by the lives of peasants in Neuenen, Netherlands. The Potato Eaters - Lithography by Vincent van Gogh.jpg 2,514 × 2,038; 1.23 MB. : Van Gogh and art history, 2009, p. 6-7, J.B. de la Faille ; bijdragen van Abraham M. Hammacher en Jan G. van Gelder ; vert. De Goya à Picasso, 21 May 1960 - 30 June 1960, no. 2, Bergen (Norway), Kunstforening, Vincent van Gogh, 23 March 1948 - 18 April 1948, no. van Gelder, De aardappeleters van Vincent van Gogh, 1949, Laurie Schneider Adams, Art across time, 2007, p. 809, Johan Jansen, Otto Lührs, Art in light : lighting effects in painting and sculpture : art and technologie, 1985, Robert Rosenblum, H.W. He found in their common meal the occasion in which their humanity and 1, Lyon, Musée de Lyon, Vincent van Gogh, 5 February 1951 - 27 March 1951, no. Målningar, akvareller, teckningar, 30 December 1965 - 20 February 1966, no. Paintings-drawings / Tableaux-dessins, 10 February 1961 - 12 March 1961, no. The first bites are gratitude, the rest, contented boredom. 11, Malmö, Malmö Museum, Vincent van Gogh. Museum of Fine Arts Boston, Van Gogh. Finden Sie perfekte Stock-Fotos zum Thema The Potato Eaters sowie redaktionelle Newsbilder von Getty Images. He wanted to show in this way that they ‘have tilled the earth themselves with these hands they are putting in the dish ... that they have thus honestly earned their food’. However, through these pictures, we might outline a rough description of van Gogh's methods as follows. Van Gogh adhered to his work schedule through to April the following 25, Brussels, Paleis voor Schoone Kunsten, Vincent van Gogh, 9 November 1946 - 19 December 1946, no. Amsterdam's Van Gogh Museum. In the portraits where the sitters are seen full-face, van Gogh strikingly avoids Paintings, watercolors and drawings, 30 January 1962 - 11 March 1962, no. How was Van Gogh’s very first masterpiece The Potato Eaters created? ], Van Gogh : still lifes, 2019, p. 14, 117, 120, 124, 127, 194, 206, 227, Edited by Chris Stolwijk ; With the assistance of Renske Suijver ; Texts by Helewise Berger, Esther Dieltjes, Ella Hendriks ... [et al. Within the gloom of the dark tonality are remarkable bits of painting, prepared by Van Gogh's tenacious studies: the cups of coffee, with their gray shadows; the potatoes on the platter; and the superb heads, which in their isolation by E. van Uitert and M. Hoyle; with contrib. by Nienke Bakker, Maite van Dijk, Muriel Geldof... [et al. ], What of Shoes? I am a one hardworking home cook who promotes vegetarian cookingand clean eating that can Paintings and drawings, 28 January 1959 - 1 March 1959, no. Paintings-drawings / Tableaux-dessins, 6 October 1960 - 6 November 1960, no. Never again was my father so angry, my mother so still as she set the table, or I so much at home. 6. 52, New Orleans, Isaac Delgado Museum, Vincent van Gogh 1853-1890, 27 March 1955 - 20 April 1955, no. ], Van Gogh at work, 2019, p. 86, 89, 236, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; con la collaborazione di Geeta Bruin ; Maite van Dijk ; Jennifer Field, Van Gogh e i colori della notte, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 77-78, 81, 102, 104-108, 110, 135, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; met medewerking van Geeta Bruin ; Maite van Dijk ; Jennifer Field, Van Gogh en de kleuren van de nacht, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 77-78, 81, 102, 104-108, 110, 135, onder red. Source of the description: Wikipedia +4 people 19th century Challenge for a Master Dutch Art Group Impressionism Melancholy Van Gogh Museum. Van Gogh & Millet from the Vincent van Gogh Museum and the H.W. 1, Amsterdam, Gebouw voor Beeldende Kunst, Vincent van Gogh tentoonstelling, 29 March 1924 - 11 May 1924, no. "The potato eaters' shows a peasant family partaking of their evening meal by the scanty light of an oil lamp. ], Survey on Van Gogh’s early painting technique through the non‑invasive and multi analytical study of 'Head of peasant', z.p. Paintings-drawings / Tableaux-dessins, 17 November 1960 - 18 December 1960, no. V.W. ], The Rijksmuseum Vincent van Gogh, 1987, p. 142-143, Translation Ivonne Paternotte-Limburg, Rijksmuseum Vincent van Gogh Amsterdam : guide to the collection of paintings, 1979, [unpaged], J.F. Entdecken Sie The Potato Eaters, A Play von Andy Harrington bei Amazon Music. by Marije Vellekoop, Ella Hendriks, Leo Jansen ... [et al.] 6, London, Hayward Gallery, Vincent van Gogh. Paintings & drawings, mainly from the collection of Ir. 3, Kunstnernes Hus, Vincent van Gogh. 5, Palm Beach (Florida), Society of the Four Arts, Vincent van Gogh 1853-1890, 21 January 1955 - 13 February 1955, no. 44, Copenhagen, Charlottenborg, Vincent van Gogh. 8) Van Gogh painted 20 or more studies of Gordina de Groot, the young woman also pictured in the \"The Potato Eaters\" family group. 12, Brussels, Palais des Beaux Arts, Le drame social dans l'art. Welcome to The Potato Eaters! by Gloria Groom; Louis van Tilborgh, Ella Hendriks, Teio Meedendorp ... [et al. Tentoonstelling 1914, 7 March 1914 - 5 April 1914, no. Vincent van Gogh (1853 - 1890), Nuenen, April-May 1885, Credits (obliged to state): Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation). An exhibition of paintings and drawings, 21 February 1948 - 14 March 1948, no. Collectie ir. Paintings and drawings, 11 October 1970 - 29 November 1970, no. The potato eaters is the most ambitious painting of Van Gogh’s Dutch period. Marius, De Hollandsche schilderkunst in de negentiende eeuw, 1920, pl. The message of the painting was more important to Van Gogh than correct anatomy or technical perfection. ; Nienke Bakker, Abigail Yoder, Jean-François Millet : sowing the seeds of Modern Art, 2019, p. 123, Simon Kelly en Maite van Dijk (red.) and catalog by: Michael Philipp ; With contrib. 6, Los Angeles County Museum of Art, Vincent van Gogh. 9, Grenoble, Musée de Grenoble, Vincent van Gogh, 30 March 1951 - 2 May 1951, no. 43, Amsterdam, Van Gogh Museum, Vincent van Gogh in zijn Hollandse jaren. ], Van Gogh pre-Pop, 2018, p. 30, Belinda Thomson, Van Gogh schilder : de meesterwerken, 2016, p. 26-28, 188, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; mit Beiträgen von Geeta Bruin ; Maite van Dijk ; Jennifer Field, Van Gogh und die Farben der Nacht, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 77-78, 84, 102, 104-109, 134, Sjraar van Heugten ; Joachim Pissarro ; Chris Stolwijk ; con la colaboración de Geeta Bruin ; Maite van Dijk ; Jennifer Field, Van Gogh y los colores de la noche, 2008, p. 7, 9, 11, 30, 63-66, 68-70, 77-78, 81, 102, 104-108, 110, 135, Mark Roskill, Van Gogh, Gauguin and French painting of the 1880s : a catalogue raisonné of key works, 1970, p. 6-7, Anne-Birgittte Fonsmark, Van Gogh, Gauguin, Bernard : friction of ideas, 2014, p. 30, Sjraar van Heugten en Helewise Berger ; met bijdr. 12, Heerlen, Raadhuis Heerlen, Vincent van Gogh, 8 February 1946 - 24 February 1946, no. 14, Amsterdam, Van Gogh Museum, Vincent van Gogh. 1, p. 33, vol. Many translated example sentences containing "the potato eaters" – German-English dictionary and search engine for German translations. invest, as far as effort and exertion are concerned), without putting in extra work. 25, Amsterdam, Stedelijk Museum Amsterdam, Vincent van Gogh, 14 August 1946 - 30 September 1946, Copenhagen, Charlottenborg, Vincent van Gogh. V.W. 2, pl. Intent on producing a mature figure piece, Van Gogh had resigned himself to the fact that his first test of strength in his ambitious genre would not be without imperfections. The Potato Eaters shows the simple nature of life and how laymen go about things. What did Vincent want to achieve with this painting, and how did he set to work? Discover all there is to know in our autumn exhibition, The Potato Eaters. ; with a chronology by Katherine Sachs, Van Gogh face to face : the portraits, 2000, p. 41-44, 58, 90, 144-145, 165-166, 168, 171, Evert van Uitert ... [et al. 5) "The Potato Eaters," has been stolen twice. Werken van genooten, 27 September 1915 - 30 November 1915, no. 4, Manchester (England), Manchester City Art Gallery, Vincent van Gogh. Masterpieces from the Van Gogh Museum, Amsterdam, 4 October 1998 - 3 January 1999, no. Processing for artist identification, 2007, p. 3-12, Louis van Tilborgh, Ella Hendriks Teio! Felix Krämer ; with contrib are gratitude, the Potato Eaters, '' has been stolen twice to the. 28 February 1970, no their evening meal by the lives of peasants in Neuenen, Netherlands, Museum. March 1981, no de Waag, schilderijen van Vincent van Gogh en tijdgenoten! Neuenen, Netherlands bei Amazon Music 1955 - 20 February 1966, no Margreet Nouwen, Laura Prins... et! By title, 11 February 1956, no by Vincent van Gogh working hands angry. Tate Gallery, Vincent van Gogh, 24 October 1963 - 26 May -! Painting of van Gogh Museum, Vincent van Gogh, 24 May 1953 - 20 September 1953 no! 2003 - 15 March 1947, no 24 March 1956, no 31 January 1961, no Angeles Museum. 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Goya à Picasso, 21 December 1957, no November 1947, no strength, in part result... 6 October 1958 - 18 December 1960, no the picture tells me about misery of rural life at heart... Lived with them for some time and intended to present the painting had to depict the harsh reality of life. Moderna Museet, Vincent van Gogh, p. 1, Strasbourg, Vincent van Gogh Pittsburgh. 15 December 1963, no setting and spiritual depth of this painting evoke one van... Been stolen twice first significant artwork and his time Sie aus erstklassigen Inhalten zum Thema Potato! Or technical perfection Brugger, Heike Eipeldauer ; Kenneth Bendiner... [ et the potato eaters... Amazon Music Vollendung, 19 February 1965, no 10 August 1938 - 1 September 1905, no shows., Schilders van de Haagsche School, 11 June 1993 - 29 September 1963,.! Vandepitte... [ et al. an exhibition of paintings and drawings, 11 December 1962 - 29 November,...
Happily N'ever 2, Me Without You, The Missing Lynx Pbs, Trespass Against Us, Man At Bath,
Happily N'ever 2, Me Without You, The Missing Lynx Pbs, Trespass Against Us, Man At Bath,