Must hear: “Simple Twist Of Fate”, Out of the ugliness of Marvin Gaye’s acrimonious divorce from Anna Gordy, in 1977, something beautiful emerged: Here, My Dear, a warts’n’all autobiographical album that graphically chronicled his failed marriage to Berry Gordy’s sister, a woman 17 years Gaye’s senior. 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Must hear: “Brilliant Disguise”, Though he projected a hard-nosed, tough-guy image, in real life Sinatra was as vulnerable as the rest of us and no stranger to the pain of heartbreak. That all changed with 1997’s The Boatman’s Call, a stark and delicate album of endearing and personal piano ballads—about as major of a departure from the group’s previous nine albums as humanly possible. The top rated tracks by Split Enz are I Got You, Nobody Takes Me Seriously, I See Red, Six Months In A Leaky Boat and I Got You. Year-End Billboard 200 Albums; 2020 Year-End Boxscore; Google's Top Hummed Songs 2020; All Year-End Charts; DECADE-END . The Beatles‘ released their first album, Please Please Me in 1963. Must hear: “Cry Me A River”, This, the eclectic California group’s Grammy-nominated breakthrough album, enjoyed multi-platinum sales and catapulted them firmly into the pop mainstream. —Emily Reily, Never before has a breakup album felt this honest, vulnerable, and just plain raw. 1: Fleetwood Mac: Rumours (Warner Bros, 1977) Topping our list of best break-up albums of all time is Fleetwood Mac’s magnum opus. —Robert Ham, For a man so used to wearing musical masks, Beck lays himself bare on Sea Change. To play a one-album flac file, I recommend you use Foobar, an awesome audio player. —Stephen M. Deusner, While there is admittedly nothing original left to say about Pet Sounds, anyone who says the 1966 album is overrated is, without exaggeration, lying to you and to themselves. The crushing blow is unavoidable—though projecting in too much backstory is a fool’s errand. Showcase contained some of Cline’s most famous songs, including “I Fall To Pieces” and an indelible version of Willie Nelson’s “Crazy,” the latter a lovelorn hymn of loneliness and rejection that should only be listened to if you have a box of tissues to hand. It feels good to wallow in this record’s gothic sprawl. Must hear: “Bye Baby”, The patron saint of 60s acoustic folk, Baez recorded this album in Hollywood, opting for a more mainstream jazz-rock sound played by LA’s top session cats. At the center of it all is her extraordinary voice, an unrelenting banshee wail that’s the aural embodiment of the album’s prevailing preoccupation with love as a form of violence. The rapidly reverberating percussion of “Homemade Dynamite” brings an absolutely liberating chorus, but the glut of lyrics on the tamer “The Louvre” doesn’t quite let the song’s “broadcast the boom” anthem stand out. —Zach Schonfeld, Marvin Gaye’s 1978 double album Here, My Dear is, quite literally, a divorce album, meaning that, as part of an alimony agreement with his ex-wife, he agreed to give her half the royalties for the record. As well as facilitating mental clarity, heartbreak can bring with it self-pity, jealousy, bitterness, anger, and even a desire for revenge. So crawl under a blanket, fetch a bucket of ice cream and crank up Lorde’s Melodrama until you can’t hear your own thoughts. A bleak post-mortem of tainted love, this cathartic opus fails to reveal even the smallest chink of light and hope at the end of its dark tunnel. Albums include True Colours, Mental Notes, and Time and Tide. The prevailing mood is sombre, but not depressingly so. All the Way is another Sinatra. —Zach Schonfeld, Exile in Guyville isn’t your typical woeful breakup album. 10. And “Pictures of You” ought to invoice any emo kid who ever used “There was nothing in the world that I ever wanted more / Than to feel you deep in my heart” as an AIM away message. —Lizzie Manno, With good reason, Bob Dylan is most revered for his nearly unparalleled streak of legendary albums in the 1960s (including 1963’s The Freewheelin’ Bob Dylan, 1965’s Highway 61 Revisited, and 1966’s Blonde on Blonde), but he saved arguably his finest album ever until 1975, making one of rock ’n’ roll’s most jaw-dropping comebacks with the striking, emotional Blood on the Tracks. Van Etten lets loose on “Your Love Is Killing Me,” her voice throbbing as she fights, essentially, for the space to catch her breath. Must hear: “The Modern Leper”, With song titles such as “I’m Hurtin,”” “Bye Bye Love,” “Cry,” “Blue Avenue” and “Come Back To Me (My Love),” it’s evident that Orbison’s debut album wasn’t going to be a cheerful affair. Rachel Goswell and Neil Halstead, Slowdive’s dual vocalists, knew each other since school days. That sometimes it comes without warning, and sometimes with too much. Songs like “Trailer Park,” “Caramel” and “Mellow Song” reference Albarn and Frischmann’s drug use, which was likely a large point of tension in their relationship. And they do. Gaye vivisects his marriage for all to see. Allegedly, he intended to handicap the deal by releasing a terrible record but let his anger and frustration at the experience fuel his work instead. Harvey’s masterpiece draws on Captain Beefheart, feminist rage, mid-century blues, and Dylan’s “Highway 61 Revisited”; its production and engineering by Steve Albini, who achieved an uncompromising dynamic range rarely heard in modern recordings, has become as shrouded in myth as the songs themselves. Purportedly based on Hutchinson’s personal life, the album’s 14 tunes are unremittingly bleak and yet brilliantly written, couched in memorable and at times uplifting melodies. —Ryan Reed, Arguably the most vulnerable song on Blue, “A Case of You” is an intimate window into Mitchell’s personal life. But Grande sometimes struggles to find her own voice amidst the voices of her many idols, and the album's overall tone can feel cloying and flimsy; there's no perspective in doe-eyed tracks like "Piano" or "Popular Song." Only the Lonely features a range of saloon songs, and if it weren’t for Nelson Riddle’s decadent string arrangements, the album would sound like a private performance for Sinatra’s bartender. We can’t talk about heartbreak in music without mentioning Robyn. The songs themselves were telling reflections of Springsteen’s somber perspective and loss of faith in any ability to sustain a real relationship. Consequently, Springsteen chose to record the album on his own, overdubbing the instruments and limiting the group members’ participation to only a few cameos. The whole album, ragged at the edges and bloody with tone, is swollen in the best way, and it crests from peak to peak across 13 tracks that are at once meditative and eruptive. Second, where’s Leonard Cohen? 808s & Heartbreak was stylistically different, too, from the hip-hop norm, using synth-heavy electronic soundscapes as a backdrop over which West sang as well as rapped. The studio gloss couldn’t mask the hurt expressed in a collection of songs that chronicled Lorde’s feelings about a painful, life-altering break-up with her boyfriend after a three-year relationship. ". The Fall. Their pain was transmuted into a soft-rock masterpiece. Of course, not all the albums below were forged in a crucible of pain – some are present because the moods they create and the universal truths they offer can help listeners cope with their own emotional crises. Her dry, almost rusty voice is pain made audible, like this isn’t her first heartbreak, like she’s endured lifetime after lifetime of them. It was less like the end of a relationship and more like the promise of a new beginning. Enjoy the aural splendor that is Groundhogs. Reflecting on a past love affair, he sought emotional closure by pouring his heart out in nine songs written while he shacked up in a North Carolina hunting cabin. But this is how Angel Olsen deserves to be absorbed, with empathy—knowing her pain and resolve and bravery, and using it for your own strength. Robert Smith is going to take good care of you. It’s the most aching, honest album he’s ever made, a musical breakup memoir on par with Blood on the Tracks or Shoot Out the Lights. Several songs – in particular, the chart-topping power ballad “Don’t Speak” – documented lead singer Gwen Stefani’s split from the band’s bassist, Tony Kanal, after he called time on their seven-year relationship. We can’t talk about heartbreak in music without mentioning Robyn. —Katie Cameron, © 2021 Paste Media Group. Praised by fans for its unflinching honesty, this concept album was the blue-eyed R&B singer’s attempt to offer an apology and woo back his former wife, Paula Patton, after their split. Let us know in the comments section, below. It came in the wake of Nelson’s break-up with his second wife, singer Shirley Collie, after he had an affair, and explores the trauma of separation from both a man and a woman’s perspective. This lonesome post-break-up album—with its mythic origin story in a remote Wisconsin cabin—is drenched in the kind of melancholy that feels a lot like joy, and sounds just as vivd. The chunky, high-pitched vocal morphs and harmonica passages on “B.L.U.R.E.M.I.” and the pulsing, idiosyncratic noise of “Battle” can be interpreted as emblems of the chaotic upending of relationships. But it’s her rendition of Jackson Browne’s “Fountain Of Sorrow” that best crystallises the album’s downcast, elegiac mood. —Steven Edelstone, At first glance, a record with songs like “I Really Like You” and “Run Away With Me” may not seem like obvious choice for a stellar breakup album. Four great break-up albums: Willie Nelson (Phases and Stages), Frank Sinatra (In the Wee Small Hours), Fleetwood Mac (Rumours) and Bob Dylan (Blood on the Tracks) What’s so wrong with the light? Spare a thought for those who are alone on Valentine’s Day, contemplating a microwave meal for one. But behind its phenomenal global success there lay a tale of hurt, betrayal and heartbreak. That’s not to suggest she hides her anguish. The 100 Best Albums of the 1980s. “Lovesong,” which is a real one, written for Smith’s soon-to-be bride Mary Poole, is the brief respite from despair—and good enough that even 311 couldn’t ruin it for good. Fleetwood Mac’s Rumours is the ultimate breakup record, written in the crosshairs of Christine and John McVie’s divorce, Mick Fleetwood’s crumbling marriage and Stevie Nicks’ and Lindsey Buckingham’s off-again/on-again/really-really-off-again relationship. 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One Missed Call, Deborah Winters Lpcc, 2016 Best Picture Winner, Fatal Motorcycle Accident Florida 2021, Arts Executive Jobs,
One Missed Call, Deborah Winters Lpcc, 2016 Best Picture Winner, Fatal Motorcycle Accident Florida 2021, Arts Executive Jobs,