de nu n'a qu'un but didactique, l'artiste apprend à dessiner les corps au travers d'études comme celle-ci : un dessin rapide mais précis et réaliste, le corps est mis en avant, l'environnement est juste signifié .Ingres, étude pour la princesse de Broglie Ici, le but de l'esquisse est d'étudier le corps de la femme que l'artiste doit représenter. [26], The current frame measures 157 × 125.6 cm at the exterior and is made of pink-orange pine,[27] lined with a garland of gilt-plastered ornament flowers. Pauline was stricken with tuberculosis soon after completion of the exquisite portrait, leaving five sons and a grieving husband. Le modèle est la femme du duc Albert de Broglie (1821-1901) qui fut Président du Conseil sous la IIIeRépublique, dans les années 1870. Study, c. 1852–53. [5] The painting contains a number of pentimenti, including around the contours of her hair, and the yellow chair. Elle a trois fils, dont l’ainé est Jean, Marie, François Ferdinand de Broglie, ancien Ministre du Général de Gaulle, dont son second fils est Philippe Maurice, actuel 9ème duc de Broglie. May Ephrussi épouse le 2 juillet 1901 à Vaux-le-Pénil (Seine-et-Marne) le prince Ferdinand de Faucigny-Lucinge (1868-1928). Naef, Hans. La princesse de Faucigny Lucinge, conserve le château jusqu’à sa mort, arrivée à Vaux le Pénil en 1964, et le transmet, après elle à sa fille, Béatrix, princesse Amédée de Broglie. De ce mariage naquirent cinq enfants, dont Victor de Broglie (1846-1906), père du physicien Louis de Broglie (1892-1987), prix Nobel de physique en … [24][25] It comprises a neutral soft pale gray and evenly textured wall, with a linear structured gilded wood mouldings,[7] and a fictitious coat of arms combining the heraldics of the de Broglie and de Bearn families. La Princesse Amédée de Broglie Maison de Broglie / Non classé / Béatrix de Faucigny-Lucinge, est née le 3 octobre 1902 à Paris et décédée le 2 aout 1990 à Paris. The final painting is considered one of Ingres's finest later-period portraits of women, along with the Portraits of Comtesse d'Haussonville, Baronne de Rothschild and Madame Moitessier. La maison de Broglie [dəbʁɔj]1,2 est une famille noble française dorigine piémontaise (Chieri) installée en France depuis le XVIIe siècle à la suite de Mazarin. There are lines mapping out the throat and top edge of the bodice. [4], The painting is composed of gray, white, blue, yellow and gold hues. The necklace is held by a double looped chain holding a gold pendant, which appears to be an original Roman bulla. Choisissez parmi des contenus premium Princesse De Broglie de la plus haute qualité. Graphite and red chalk on paper, 27.8x17.5 cm. Most critics understood the artfulness of physical deformations, although one writer, writing under the byline A. de. Jean-Auguste-Dominique Ingres, Princesse de Broglie, oil on canvas, 1851–53 (The Metropolitan Museum of Art). Image: MetMuseum.org. This portrait of Princess Albert de Broglie was completed by Jean-Auguste-Dominique Ingres over the period of 1851–53. [3] Albert was devoted to his wife, and commissioned the painting after being impressed by Ingres's 1845 portrait of his sister, the Comtesse d'Haussonville. The most notable Princesse de Broglie is probably Joséphine Eléonore Marie Pauline de Galard de Brassacede Béarn, painted by Ingres in the early 1850s. They show her in various poses, including standing, and in differently styled dresses. La princesse de Broglie est une femme d’une fantaisie sans limites et d’un caprice toujours en éveil. Her adornments include a necklace, tasseled earrings and bracelets on each wrist. The painting is held in the collection of the Metropolitan Museum of Art, New York, and is signed and dated 1853. Pendant de nombreuses années, la princesse de Broglie était célèbre pour ses apparitions dans les grands événements mondains. The Princesse de Broglie is shown in three-quarters view, her arms resting on a lavishly upholstered, pale gold damask easy chair. The black hat on the chair seems to have been a late addition. The Princesse de Broglie (French: La Princesse de Broglie [la pʁɛ̃.sɛs də bʁɔj][1][2]) is an oil-on-canvas painting by the French Neoclassical artist Jean-Auguste-Dominique Ingres. It was painted between 1851 and 1853, and shows Pauline de Broglie [fr], who adopted the courtesy title 'Princesse'. Speakers: Dr. Beth Harris, Dr. Steven Zucker [14], The work was an instant critical and popular success, and widely admired and written about. Ingres, souvent controversé dans le passé car ses peintures étaient généralement jugées non réalistes, nous montre ici toute son aisance dans la réalisation de [20], As with all of Ingres's portraits of women, her body seems to lack a solid bone structure. New York: Metropolitan Museum of Art, 2003. [5] This painting was Ingres's second-last female portrait, and final society portrait. [3] Albert (who, in 1873, became the 28th Prime Minister of France) lived until 1901, but was heartbroken and did not remarry. Jean-Auguste-Dominique Ingres, Princesse de Broglie, oil on canvas, 1851–53 (The Metropolitan Museum of Art). Ingres, Princesse de Broglie, 1853. [9] After his death, the painting passed within the family until 1958 when it was sold to the Metropolitan Museum of Art via the banker and art collector Robert Lehman,[10] and is today held in the Lehman Wing. [6] Ingres signed and dated the final picture at the left center "J. INGRES. People Projects Discussions Surnames [9], A collage by contemporary artist Sam Weber that prominently featured the painting, served as the cover art for the 2013 album Nanobots by Brooklyn-based alternative rock group They Might Be Giants. A cette occasion le site  de, Pundji, l'éléphante offerte par le maharadja de Kaputhala à la Princesse, Fin 2005, Gabriel de Broglie reçoit une lettre du Président de, Personnalité de la haute société européenne de la première moitié du. [19] The costume and decor are painted with a supreme precision, crispness and realism that art historians have compared to the work of Jan van Eyck. Two others are focused on her hands. [29] One critic wrote that the painting showed Pauline as "refined, delicate, elegant to her finger tips ... a marvelous incarnation of nobility. Her left wrist has a bracelet of roped pearls; the one on her right is made of enameled red and diamond set gold links. The portrait was commissioned by the sitter’s husband, Albert de Broglie, a few years after their ill-fated marriage. See Davies (1934), p. 241, Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, The Ambassadors of Agamemnon in the tent of Achilles, Don Pedro of Toledo Kissing Henry IV's Sword, Henry IV Receiving the Spanish Ambassador, Joan of Arc at the Coronation of Charles VII, Portrait of Caroline Murat, Queen of Naples, Portrait of Madame Marcotte de Sainte-Marie, https://en.wikipedia.org/w/index.php?title=The_Princesse_de_Broglie&oldid=1015085461, Portraits by Jean-Auguste-Dominique Ingres, Paintings of the Metropolitan Museum of Art, Short description is different from Wikidata, Articles containing Italian-language text, Creative Commons Attribution-ShareAlike License. Although Albert lived until 1901, he was heartbroken and did not remarry. [21] Her oval face and her expression are idealised, lacking the level of detail given to other foreground elements,[8] although she was widely known as a great beauty. [6], Study for a Portrait of the Princesse de Broglie, c. 1850–51. En 1845, il avait épousé Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825-1860), petite-fille du général d’empire Jean Le Marois. He built up a picture of the sitter's underlying anatomical structure, as seen in the Musée Bonnat study, before deciding on how to build the lavish costume and accessories. He has given this face a negative expression that he must have seen in real life, and reproduced it with a sure touch. Pauline was 28 at the time of the painting's completion. [6] Although there is no surviving record of the commission, and the exact sequence of events is uncertain, the sketches can be dated from 1850, the year the style of her evening dress came into fashion. 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